This week sees the release of Mark Ronson's new album 'Version' in America which features Robbie Williams singing a cover of 'The Only One I know' by The Charltans.

I was lucky enough to catch up with Mark and chat with him about his new album and about the work he has done with Rob to date.

Read on to hear all about how 'Lovelight' is one of Mark's all time favourite tracks he has worked on, and how recording the french lyrics on 'King of Bongo' took a while!

Vicky: Hi Mark and many thanks for taking the time to answer some questions for PureRobbie.com. I appreciate that you must be a very busy person and time is precious! Firstly, I’d love to learn a bit more about how ‘Mark Ronson - Superstar DJ’ came to be. At what point did you decide that music was going to play such a major part in your life and that being a DJ and later a producer was going to become your career?

Mark: I was always into music since I can remember. I used to play drums and violin from the time I was five. Then I focused on the guitar in my early teens and put a band together. I loved playing out, recording in the studio, writing music....all of it. When I was 16, I got really into hip-hop and decided to try DJ'ing. I spent all my free time in my room practicing, coming up with mixes, blends and things. I started dj'ing alot in the downtown New York club scene and that led me to producing.

Vicky: What was the first single you ever bought?

Mark: I think the first single I ever bought was by the eurovision song contest winner by 'Bucks Fizz'. I had a little Sony "my first record player" that my Dad got me.

Vicky: Who are your Musical heros and why?

Mark: I have so many. I think the pinnacles are David Bowie, Stevie Wonder, The Beastie Boys, Bob Dylan and James Brown. As far as producers go, i've always looked up to Rick Rubin, Quincy Jones, DJ Premier, and the Bomb Squad. And for DJ's, my heroes are Red Alert, Kid Capri and Grandmaster Flash.

Vicky: Recently I heard the mini mix that you had worked on for Annie Mac’s Radio 1 show, and really enjoyed it. Where does your inspiration come from, and what else influences your work?

Mark: I grew up listening to so many different kinds of music. My Dad played alot of classic funk and soul when I was growing up. And as a teen, I worshipped both hip-hop and British guitar bands like Blur, Radiohead and The Wonder Stuff. And then the classics like Zepellin and The Beatles. And that's why my DJ sets/mixes are so diverse, I don't really like being pigeon-holed to one genre.

Vicky: When was the first time you heard of Robbie Williams?

Mark: After I moved to New York, I would come back twice a year to visit my Dad and my family in the UK. I remember hearing "Back for Good" and thinking "that's a really good song". Then a few years later in New York, I remember seeing the video for "Millenium" and being blown away by it, the way it mixed this great melody with a hip-hop beat and swirling James Bond strings.

Vicky: How did you first meet him and how did the collaboration come about?

Mark: when I was working on my first album about five years ago, I wanted to get Rob on a track. I was in LA and I went to his house. We talked about music for a while and I played him some tracks in my car. We were both into the idea of working but because of his schedule, it never worked out. Then, I got a call about a year ago that he was working on a new album so I drove my car all the way up to his house on the top of the hill and we listened to music again.

Vicky: What was he like to work with?

Mark: I love working with him. We have very similar tastes and sensibilities in music. Everything from Ryan Adams album cuts to Scarface's Texas hip-hop.

Vicky: Can you tell us a bit about the creative process of each the tracks you worked on from ‘Rudebox’?

Mark: Firstly Lovelight - Rob played me that song and said he'd like to cover it. I was intimidated at first as the original was quite beautiful, soulful and complex at the same time. I started with a drum beat and some electric piano - just enough reference for him to lay down the main vocal. Then, I added the horns and it turned out that The Brand New Heavies (one of the first groups to turn me on to funk when i was a teenager) were recording next door. They loved the track, and Andrew Levy ended up playing bass on the tune and N'Dea Davenport did all the female vocals. It was a bit of a dream come true for me. "Lovelight" is by far one of my favourites of any song I've worked on.King of Bongo - Another cover that Rob approached me with. I loved the original and was trying to figure out how to put a new spin on it. So added an electro-y drum beat. I love Rob's vocal delivery on it, it's like Tom Waits meets Shaun Ryder. Although recording all the French at the end did take a while. A few weeks later, I was working on Lily's record (who was still an unknown) and I asked her "hey, do you want to sing on a Robbie Williams tune?" and she was like, "yeah, sure". I love her voice, especially the way she mutilates the phrase, "je ne t'aime pluuuuussss mon amour". It reminds me of the old Billl Wyman track "je suis un rock star".Keep On - This was a demo lying around from the last album. Rob played it for me and I loved the song. My friend Michael played all these beautiful guitar lines on it too. And the fake strings don't even sound that bad.Good Doctor - I sampled a Jamaican reggae song that we found out was impossible to get permission for. So I had to change the whole beat two days before the record was due. I think Rob's background ad-libs are as funny as the verses. One must listen closely though.

Vicky: What is your opinion of how ‘Rudebox’ was received?

Mark: I guess anytime someone does something vastly different, they're bound to get some flack for it. I've never played "Lovelight" or "Bongo" for anyone and not get a positive reaction. And I love "Burslem Normals" and a couple other tracks that Soul Mekanik did.

Vicky: So with your new album ‘Version’ out on the 16th April in the UK and the 11th July in the USA, this must be a very exciting time for you. From what we have heard and seen of it already, it is going to be a huge hit, with some great artists and classic tracks involved. How did the new album come about?

Mark: I had done a cover of Radiohead's "Just" for a compilation and started messing around with some other tracks that I loved. Then, I added the horns and the vocals and pretty soon, I had the meat of an album.

Vicky: How did you manage to select 12 classic tracks from what must have been an endless list of potentials?

Mark: I would just experiment with each song by bringing up a drumbeat and playing the chords. Songs like "Toxic" and "Oh my God" just instantly felt like they would work. Mainly, they were my favourite songs really.

Vicky: Rob is singing the amazing ‘The only one I know’ by The Charlatans. Was Rob given ‘The Charaltans’ or were ‘The Charlatans’ given Rob?

Mark: That's one of my favourite songs from when I was a kid and The Charlatans grew up right near where Rob's from. Rob's the only one who could have done that song.

Vicky: So what next for Mark Ronson?

Mark: I'm going to be touring a bit this summer. And I'm also producing a record for Daniel Merriweather--the kid who sings (brilliantly) on "Stop Me".

Vicky: You already has a pretty impressive list of artists that you have worked with to date, who else would you like to work with?

Mark: Not really. I prefer working with the up-and-comers.

Vicky: What is your personal highlight from the last 12 months?MarkProbably winning Producer of the Year at the Music Week Awards.

Vicky: Thank you so much again Mark.

On behalf of all of the Staff and members at http://www.purerobbie.com/, I would like to wish you the very best with the new album and your future career. We all look forward to hearing much more of your fantastic work.

Mark: Thank you too

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